{"id":574,"date":"2023-12-29T17:02:12","date_gmt":"2023-12-29T16:02:12","guid":{"rendered":"https:\/\/contentcontent.fr\/?page_id=574"},"modified":"2026-02-09T19:27:54","modified_gmt":"2026-02-09T18:27:54","slug":"programmation","status":"publish","type":"page","link":"https:\/\/contentcontent.fr\/index.php\/programmation\/","title":{"rendered":"PROGRAMMATION"},"content":{"rendered":"\t\t
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LA PROGRAMMATION 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\"\"<\/figure>

KEITH RICHARDSON SYNDROME<\/h3>

Classic Rock \/\/ Valence<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Form\u00e9 en mai 2014, influenc\u00e9 par le Velvet Underground, le Brian Jonestown Massacre et les Rolling Stones, leur set \u00e9volue entre le psychrock am\u00e9ricain des 60’s et le rock n’ roll moderne.<\/span><\/p>

Apr\u00e8s deux EP \u2013 18:09 (2016) et Old and New Thoughts (2017) \u2013 leur musique s\u2019est m\u00eame invit\u00e9e au cin\u00e9ma : on les retrouve \u00e0 l\u2019\u00e9t\u00e9 2023 dans le film “Belle Enfant” du r\u00e9alisateur fran\u00e7ais JIM.<\/span><\/p>

De retour apr\u00e8s une pause de plusieurs ann\u00e9es, le groupe rena\u00eet \u00e0 l\u2019\u00e9t\u00e9 2024\u2026 et s\u2019appr\u00eate \u00e0 enflammer la sc\u00e8ne du festival !<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

JUNKYARDPOOL<\/h3>

Rock \/\/ Ghent (Belgique)\n\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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C\u2019est le groupe sensation qui nous vient tout droit de Belgique.. JUNKYARDPOOL, c\u2019est un TRIO BELGE qui envoie du ROCK sans prise de t\u00eate, du punk nerveux, avec une bonne dose de chaos ma\u00eetris\u00e9. Fien (chant), Nio (guitare) et Hannes (batterie) ont commenc\u00e9 en mettant le feu \u00e0 leur bahut avec un morceau fait maison. Depuis, ils arrachent les toits des salles en Belgique et aux Pays-Bas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

EGGS<\/h3>

Indie Rock\/\/ Paris\n\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Eggs est un groupe parisien d’indie rock form\u00e9 en 2017 par Charles Daneau (guitare, chant), Gr\u00e9goire Bayart (batterie), L\u00e9o Deville (clavier) et Manolo Freitas (basse).\u00a0<\/span><\/p>

Apr\u00e8s trois EP sortis entre 2018 et 2019, R\u00e9mi Studer les rejoint \u00e0 la batterie et Gr\u00e9goire Bayart passe \u00e0 la guitare. Aux sonorit\u00e9s initiales du groupe s’ajoutent des influences de groupes d’indie rock comme The Replacements ou Guided by Voices. Le premier album du groupes\u00a0A Glitter Year\u00a0sort en 2022 avec la contribution de Margaux Bouchaudon (chant, guitare) et Camille Fr\u00e9chou (saxophone et trompette) du groupe En Attendant Ana. Cette participation ponctuelle se transformera en collaboration \u00e0 long terme.<\/i><\/span><\/p>

En 2023, Erica Ashleson (chant) et Cyprien Vandenbussche (saxophone) se joignent au projet. Le groupe travaille sur son nouvel album\u00a0Crafted Achievement\u00a0enregistr\u00e9 la m\u00eame ann\u00e9e et sorti en novembre 2024 avec l’arriv\u00e9e de C\u00f4me Ranjard \u00e0 la steel guitar.<\/i><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

DOUBLE VITRAGE<\/h3>

Electro Techno \/\/ Rennes<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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De la techno qui donne envie de slammer comme \u00e0 un concert de rock : voil\u00e0 ce qui arrive quand on fait la teuf version Double Vitrage. Mais avant de se retrouver les pieds en l\u2019air, ce live se regarde autant qu\u2019il se danse.\u00a0<\/span><\/p>

La batterie de R\u00e9mi fait face au synth\u00e9 modulaire de Rapha\u00ebl, les deux Tourangeaux s\u2019apercevant entre deux d\u00e9ferlements de strobs et clignotements de LED synchronis\u00e9s aux kicks d\u00e9vastateurs. Et quand la tension atteint son paroxysme, tendance Stress de Justice, c\u2019est tout le dancefloor qui s\u2019embrase.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

CHEERS<\/h3>

Indie Rock\/\/ Valence<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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N\u00e9 quelque part entre Valence et Romans-sur-Is\u00e8re, Cheers r\u00e9unit d\u2019anciens membres de Reach Inside et The Musculators autour d\u2019un projet plus introspectif, o\u00f9 les guitares ne hurlent plus mais planent, vibrent et se superposent comme des couches de souvenirs. Loin de leurs racines hardcore, le groupe explore les textures feutr\u00e9es d\u2019un rock contemplatif, entre noise-pop, shoegaze lo-fi et indie rock US des ann\u00e9es 2010. Les voix, tant\u00f4t en retrait, tant\u00f4t au centre, traversent le mix avec une nonchalance ma\u00eetris\u00e9e, entre murmure et m\u00e9lodie. On pense \u00e0 Momma pour la tendresse floue, \u00e0 Yuck pour les racines indie, ou encore \u00e0 51 Black Super pour cette mani\u00e8re instinctive de capter l\u2019instant. Cheers ne cherche ni l\u2019efficacit\u00e9 imm\u00e9diate ni le single calibr\u00e9. Leur musique s\u2019\u00e9coute comme on feuillette un vieux carnet : textures granuleuses, refrains timides, ruptures discr\u00e8tes. Une forme de nostalgie moderne s\u2019en d\u00e9gage, pas pass\u00e9iste, mais sensible \u00e0 l\u2019usure du temps et \u00e0 la beaut\u00e9 des d\u00e9tails : une ligne de guitare r\u00e9p\u00e9t\u00e9e, une basse qui tra\u00eene volontairement, un break inattendu. Cheers, ce n\u2019est pas un cri. C\u2019est un \u00e9cho doux-amer, qui continue de r\u00e9sonner bien apr\u00e8s la derni\u00e8re note.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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AVEE MANA<\/h3>

Psych Rock \/\/ Marseille<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Psychotic Monks \u00e0 Paris, Slift \u00e0 Toulouse, Stuffed Foxes \u00e0 Tours… et Marseille dans<\/span><\/p>

tout \u00e7a ? La sc\u00e8ne psych\u00e9 ascendante garage fran\u00e7aise a enfin trouv\u00e9 son fier repr\u00e9sentant phoc\u00e9en : Avee Mana ! Derri\u00e8re ce nom \u00e9nigmatique se cache un quatuor d\u00e9j\u00e0 auteur de<\/span><\/p>

l\u2019EP \u201cWho The F… Is Francky Jones\u201d (2019), et largement rompu \u00e0 l\u2019exercice du live, notamment en premi\u00e8re partie de Thurston Moore, Rover ou encore Mars Red Sky ! 2023 devrait \u00e0 coup s\u00fbr marquer un tournant dans son parcours avec Inner Life, deuxi\u00e8me EP et premi\u00e8re sortie du nouveau label sudiste Hazard Records !<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

TV SUNDAZE<\/h3>

Indie Rock \/\/ Local legend<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Comme un souvenir que vous n\u2019avez jamais v\u00e9cu, TV Sundaze vous emm\u00e8ne dans son d\u00e9sert confin\u00e9. Western anglais ? Fish n\u2019chips after surf ? Leur rock fruit\u00e9 et color\u00e9 pourrait tout autant \u00eatre compar\u00e9 \u00e0 une brocante du mois d\u2019ao\u00fbt : matinal, ensoleill\u00e9 et puant le vieux garage. Un instinct pour la m\u00e9lodie, une nonchalance pop, ces quatre musiciens ont tout simplement d\u00e9cid\u00e9 de se faire un trip hors des sentiers battus.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NOT SCIENTISTS<\/h3>

Indie Rock\/\/ Peaugres<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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N\u00e9e des cendres encore incandescentes d\u2019Uncommonmenfrommars (groupe majeur de la sc\u00e8ne punk-rock fran\u00e7aise des ann\u00e9es 2000 que personne n\u2019aura oubli\u00e9), Not Scientists r\u00e9sulte d\u2019une \u00e9mulsion sonore savamment distill\u00e9e par la paire de guitaristes Ed et Frederico et d\u2019un jeune basse\/batterie men\u00e9 de mains de ma\u00eetre par Le Bazile (Not Guts No Glory, Supermunk) et Tatane (Not Guts No Glory). Anim\u00e9s par une envie furieuse d\u2019\u00e9claircir le ton des guitares sans toutefois d\u00e9s\u00e9paissir la puissance du son, les quatre musiciens composent tr\u00e8s vite suffisamment de chansons pour prendre la direction des salles de spectacle et (re)devenir les rois de la route. De caf\u00e9-concert en SMAC, de sol carrel\u00e9 de bistrot en sc\u00e8ne sur\u00e9lev\u00e9e de festival europ\u00e9en (et m\u00eame am\u00e9ricain), Not Scientists trace son chemin, maltraitant son camion avec des milliers de kilom\u00e8tres au compteur et enthousiasmant un public d\u2019abord curieux puis fid\u00e8le aux harmonies indie propuls\u00e9es par des guitares cristallines, des voix m\u00e9lodieuses et une rythmique d\u00e9vastatrice.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LA PROGRAMMATION 2026 KEITH RICHARDSON SYNDROME Classic Rock \/\/ Valence Form\u00e9 en mai 2014, influenc\u00e9 par le Velvet Underground, le Brian Jonestown Massacre et les Rolling Stones, leur set \u00e9volue entre le psychrock am\u00e9ricain des 60’s et le rock n’ roll moderne. Apr\u00e8s deux EP \u2013 18:09 (2016) et Old and New Thoughts (2017) \u2013 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-574","page","type-page","status-publish","hentry"],"yoast_head":"\nPROGRAMMATION - Content Content Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/contentcontent.fr\/index.php\/programmation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PROGRAMMATION - Content Content Festival\" \/>\n<meta property=\"og:description\" content=\"LA PROGRAMMATION 2026 KEITH RICHARDSON SYNDROME Classic Rock \/\/ Valence Form\u00e9 en mai 2014, influenc\u00e9 par le Velvet Underground, le Brian Jonestown Massacre et les Rolling Stones, leur set \u00e9volue entre le psychrock am\u00e9ricain des 60’s et le rock n’ roll moderne. 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